British abstract art
Beginning in the fifties of the 19th century, the aesthetic orientation of the British had a great deal of change. The reason is the artist who draw an abstract way the subconscious works, use them to manipulate the audience, evoke a variety of psychological reflect in their midst. In this process, the different schools of painters engaged in a series of continuous mutual exchange of ideas activities.
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Hewish, John Mayer Manchester Lad Wick has been to follow the Berne Jones (1833-1898), the creation of history and mythology. Theological Seminary of the wall "is the" energies "of the painter, was accused of he would simply copy the historical subject matter, not the so-called" real "creation.
Although this picture is the main features of the Pre-Raphaelite works, namely, rough style, multi-irritating and less decorative, but there is no clear historical or geographical boundaries, it is left to the audience an imaginary space, reflects the Sri Lanka Lancaster Lad Wick's a strong perception of the mythological world.
George Bernard Shaw (1856-1950) published an article in the "Art Monthly", the mood of the painting made such a description: "a man wearing just broken fetters, standing on the door of heaven." . Then, George Bernard Shaw explained that the picture presented, not how to reach heaven, but the excitement when the angels welcome received upon arrival.
British abstract art 
thanks for any help in advance.
Linear Mode
